In April, the hardcore punk band Turnstile gained significant attention during Charli XCXS performance at the Coachella festival. In a playful twist, she suggested that “Turnstile summer” might replace her well-known “Brat summer.” While she hinted that 2025 could also be a big year for artists like Addison Rae, PinkPantheress, Kali Uchis, and Pulp, it was Turnstile’s presence that truly resonated.Emerging from Baltimore’s vibrant music scene—home to bands like Trapped Under Ice and Ruiner—Turnstile embodies the essence of hardcore punk. This genre typically operates within its own strict codes and frequently enough remains distant from mainstream recognition; it’s rare for hardcore bands to receive shout-outs from major pop icons.
Despite their roots in hardcore punk—a genre not typically associated with Grammy nominations or chart-topping hits—Turnstile has achieved both accolades with their unique sound.Charli XCX is just one of many celebrities who have praised them; they’ve also received endorsements from Metallica’s James Hetfield, Judas Priest’s Rob Halford, R&B star Miguel, and Demi Lovato who named them her favourite band. Their breakthrough moment came with the release of 2021’s Glow On, where frontman Brendan Yates shifted his vocal style towards singing while the band explored new musical territories.
Their sound is reminiscent of classic hardcore acts like Minor Threat or Circle Jerks but infused with elements of modern pop—a stark contrast to what hardcore once stood against ideologically.
Fast forward four years since Glow On’s release; its stylistic evolution now feels like a precursor to their latest album, Never Ample. Yates has completely transformed his vocal delivery; lyrics reflect themes of emotional turmoil typical in emo music (“lost my best friend,” “it’s unfair,” etc.), yet his voice now evokes memories of Sting during The Police era—with hints of AutoTune sprinkled throughout as well.The experimental sounds introduced on Glow On reappear here; for instance, I Care revisits the jangly vibe found in Underwater Boi but adds layers such as Syndrum embellishments while guest artist Dev Hynes, known as Blood Orange returns on Seein’ Stars alongside notable contributors including Hayley Williams from Paramore, Maestro Harrell from Wire fame, and singer-songwriter Faye Webster.
The album delves into unexpected sonic landscapes as well—Sunshower kicks off at breakneck speed before transitioning into an intricate blend featuring progressive synthesizers complemented by an extended flute solo performed by
This diverse array creates an impressive tapestry throughout Never Ample without feeling disjointed or excessive—the transitions are seamless thanks to consistently catchy melodies that resonate across both distorted riffs and pop-infused vocals alike. Tracks such as Gentle Create showcase synth-driven rock while sole maintains traditional hardcore roots—all tied together through memorable hooks.
If there is any critique regarding this album it lies not in creativity or songwriting prowess but rather in moments where Turnstile strays too far from their origins risking dilution of their unique identity amidst broader contemporary trends blending rock with pop influences prevalent today.
Certain tracks may feel generic when isolated yet within the vibrant context provided by Never Ample they can easily be overlooked due to sheer volume happening around them—a testament to how adeptly these ideas are woven together without ever appearing sprawling or self-indulgent.
If anything Turnstile’s journey into mainstream success serves only as motivation moving forward rather than hindrance!
This Week Alexis Listened To:
The Death Of Admire – Strange Little Outcome:
A collaboration between Daniel Avery along with Phantasy Sound labelmate Ghost Culture delivers melancholic yet maximalist electronic pop vibes perfect for introspective listening experiences!