Suede’s fifth studio album since their reunion in 2013 represents a pivotal moment in their artistic journey. Titled Antidepressants,this release is described by frontman Brett Anderson as the post-punk counterpart to their previous effort,Autofiction,which he regards as their most notable work as reuniting. Drawing influence from legendary bands such as The Cure,Joy Division,and Siouxsie and the Banshees,Suede presents a series of dynamic guitar-driven tracks that stay true to their distinctive style. Once again teaming up with longtime producer Ed Buller, guitarist Richard Oakes delivers compelling riffs while Anderson’s vocal delivery oscillates between fervent expressions and reflective passages; all underpinned by a solid rhythmic backbone.

At fifty-seven years old, Anderson aims to move beyond being perceived solely as a nostalgia act while reaching out to younger audiences. Antidepressants transcends mere nostalgia; it encapsulates postmodern themes. The ethereal soundscapes complement Anderson’s lyrics that delve into what he describes as “the anxieties of modern existence—paranoia, fear, neurosis”—as the band advocates for human connection in an increasingly disconnected society.

The powerful opening track Disintegrate challenges listeners to confront issues surrounding mortality and decay (“Come down and disintegrate with me”). Several songs reflect on midlife challenges such as transient beauty, personal crises, toxic relationships or society’s dependence on medication. A notably melancholic atmosphere envelops June Rain—a heartfelt depiction of someone wrestling with despair—where Anderson poignantly concludes his narrative with “So I close my eyes and fade into the traffic.” While monumental tenth albums are rare milestones in any artist’s career path, this release stands out as an remarkable accomplishment late in Suede’s evolution.