Barbara Strozzi used to be a accurate 17th-century innovative. The adopted and slightly presumably the natural daughter of poet and librettist Giulio Strozzi, she grew up in the bosom of the Venetian intelligentsia, taking segment in debates from the age of 15. Her tally of 120 revealed works for solo exclaim used to be unequalled by any of her contemporaries. No topic closing single, she managed to make stronger four teenagers on the earnings from her song by myself. The typical of her output is matched most productive by Monteverdi.

Virtuosissima Sirena contains a handful of cantatas and arias interspersed with effervescent trio sonatas by Legrenzi and Castello. Accademia dell’Annunciata’s lineup of two violins, cello, theorbo, double harp and harpsichord lends the song a shining sweetness that’s presumably more sumptuous than the composer would own expected but is nonetheless mesmerizing.

The musical language is fat of madrigalian effects: dissonant intervals to explicit be troubled; measured rests to carry sighs and tears. Laura Catrani’s unfussy soprano is emotive in L’Amante Segreto (The Secret Lover), a bittersweet lament over a drooping ground bass, and active in Costume de Grande (Customs of the Substantial), Strozzi’s setting of with out a doubt one of her father’s poetic tilts at high society. Riccardo Doni’s course lets this song breathe and therefore focus on.