Over the course of their twelve studio albums, the creative partnership of Jason williamson (lyricist) and Andrew Fearn (musician) has evolved from a grassroots foundation to securing a place on the album charts with their latest offering, High 5. Their music presents a sharp yet humorously absurd critique of issues such as economic downturns, austerity policies, Brexit, and the emergence of far-right ideologies. In this thirteenth album, Williamson continues to take on the role of an outspoken commentator—both bewildered and infuriated by current societal events. He explores topics that range from the hollowness of contemporary digital life (“Weights and wanking / Great bodies and cell phone lights / That’s all we got”) to political observations about Trump’s America (“Maga’s off their tits”), alongside everyday grievances: “Lazy dog walkers on fast strolls, mate, wanker!”

This new release may gently broaden their audience appeal. williamson showcases unexpected emotional depth in his storytelling with the touching track Gina was that reflects on a childhood memory. Simultaneously, Fearn is subtly refining his production skills; he steps beyond electro-punk by integrating classical strings into Double Diamond while collaborating with a diverse range of artists. The fusion of Williamson’s lyrics with Gwendoline Christie’s powerful rap delivery—known from Game of Thrones—and Biggie Smalls’ david Bowie-inspired vocals in The Real Life culminates in one of their most hauntingly unforgettable tracks.

A highlight from this album is certainly No Contact, where Williamson collaborates with former Life Without Structures vocalist Sue Tompkins to create an entertainingly contentious dynamic reminiscent of a soap opera couple as she teasingly reveals his personality beneath his grumpy facade. “You’re not terrible; you’re lovely,” she playfully tells him while he half-heartedly responds “I’m not.”