The importance of the number three has been a cornerstone in numerous cultures and traditions throughout history. This concept is intricately woven into the beliefs of various groups, including Christians, witches, and Buddhists, and also in narratives that explore beginnings, middles, and conclusions. In the aftermath of World War II, jazz trios—frequently enough featuring iconic pianists like Bill evans or Ahmad Jamal alongside legendary saxophonists such as Sonny Rollins—showcased how extraordinary creativity can flourish within smaller ensembles.
Linda may Han Oh, an Australian bassist with Malaysian roots now residing in New York City, embodies this dynamic through her recent work. Collaborating with renowned artists such as Vijay Iyer and Pat Metheny, she shines by creating original compositions alongside reinterpretations of pieces by Geri Allen and Melba Liston. Her trio includes two prominent figures in modern jazz—trumpeter Ambrose Akinmusire and drummer Tyshawn Sorey.
Akinmusire infuses his playing with a distinctive mix of delicate sonic textures paired with an urgent energy reminiscent of Miles Davis; he intertwines his melodies seamlessly with Oh’s vibrant bass lines on the opening track “Portal.” Their musical exploration evokes memories from her debut album “Entry,” transitioning into exhilarating high notes that weave around brisk rhythms punctuated by half-valve techniques. The title track features an ethereal melody that unfolds gracefully against Oh’s gentle pizzicato style complemented by Sorey’s atmospheric rimshots; meanwhile, “Acapella,” characterized by its tender descending motifs, is enveloped in flurries from the bass paired with shimmering cymbal sounds.
The exquisitely crafted piece “Paperbirds” stands out alongside the emotionally resonant “Folk tune.” Allen’s composition “Skin,” known for its edgy yet fragile essence evolves into a wild free-jazz journey; conversely, Liston’s meditative piece “Exact Ready” radiates warmth through Akinmusire’s horn tones harmonizing beautifully with Oh’s rich sonorities—a fitting homage to their collective artistry.
Fresh Releases This Month
After being out of circulation as its original vinyl release in ’73,“Popular” (Cadillac) makes a comeback as an improvisational duet featuring British alto saxophonist Mike Osborne alongside pianist/composer
Stan Tracey ,both celebrated for their influences from Monk/Ellington. Osborne skillfully balances lyrical beauty infused with eric Dolphy-esque depth while Tracey’s powerful rhythmic drive pushes boundaries throughout this live recording from ’72.
Additonally, French accordionistVincent Peirani’s living being IV : Time Reflections (act) showcases his eclectic talents within a genre-blending quartet featuring saxophonist Émile Parisien—a fusion melding Fender Rhodes grooves enriched by resonant basslines along hymnal melodies inspired by sixteenth-century polyphonic concepts along tributes to German pianist michael Wollny among other elements.
The award-winning UK vocalist
Emma Smith ‘s latest album “Bitter Orange” (La Reserve) further affirms her prowess through sharp timing combined seamlessly refined originals showcasing her ability to resonate deeply within mainstream music circles.