After rising from the vibrant DIY music scene in Chicago five years ago, Lifeguard’s highly anticipated debut album bursts onto the scene with an explosive mix of guitars and drums that clearly signals their artistic intentions. The opening track, “A Tightwire,” sets a bold precedent for the rest of the album: urgent, unconventional, and slightly disorienting. This youthful trio—comprising Kai Slater (guitar and vocals), Asher Case (bass, baritone guitar, and vocals), and Isaac Lowenstein (drums and synth)—has been playing together since high school. Their long-standing collaboration has resulted in a musical synergy that is as tight as it gets.
Their sound is characterized by angular rhythms reminiscent of post-punk legends such as The Pop Group, Wire, Gang of Four, along with hints of The Wedding Present; yet they undeniably infuse their own unique flair into this genre. The lyrics are frequently enough cryptic but vivid—lines like “I am the reflection on your pillow” or “words like tonality come to me” provoke curiosity about their meaning while inviting listeners to engage in interpretation.
There’s an undeniable theatricality present within their sharp guitar riffs, gradual builds-up, and dynamic bass lines that give rise to infectious melodies peppered with unexpected twists. For instance, “Fancy You’ll Lose” showcases a post-punk essence combined with an almost anthemic quality. Meanwhile, “Music for Three Drums,” wich cleverly nods to Steve reich’s “Music for Eighteen Musicians,” feels as though it was recorded during a visit to a riveting factory—a chaotic blend of distorted guitars alongside drones that may be too intense for some listeners but ultimately offers a refreshing take on what young bands can achieve when they embrace bold experimentation.