The classic melody finds a warm and inviting space in the realm of seasonal music, even as the poignant elements of the nativity story linger, accompanied by the unavoidable weariness that each winter brings. Laura Cannell delves into her most profound and introspective exploration yet in this reflection on a time when, as she notes in her album’s liner notes, “joy and sorrow coexist.” This duality is evident in her recent works such as 2020’s *Iciness Rituals EP*, featuring cellist Kate Ellis, and 2022’s more melancholic *New Christmas Rituals*, which showcases André Bosman’s amplified fiddle.

A Journey Through Winter Melodies
Inspired by a street named after King Wenceslas before winter’s chill fully sets in, *Brightly Shone the Moon* opens with organ harmonies that evoke memories of Cannell’s childhood Christmases spent within Norfolk’s Methodist chapels. The soundscape crafted by her fiddle intertwines with the customary folk tune “O Christmas Tree/O Tannenbaum,” conjuring images akin to a snow globe filled with swirling memories yearning to settle.
The piece “All Ye Faithful,” marked by its haunting repetitions from pre-chorus sections, features choirs repeatedly beckoning listeners to “come let us adore him.” Yet an unsettling feeling permeates this track—similar to an animal burrowing underground—a sonic reminder of how overwhelming winter can feel for many.
Finding Light Amidst darkness
Within this heaviness lies beauty; “Lost in a Merry Christmas” presents soaring melodies that intertwine gracefully before merging seamlessly into one another. In contrast, “Bleak Midwinter” carries an urgent chill while transforming despair into playful glimmers of hope. The intriguingly titled ”angels Falling from the Realms” stands out as perhaps the warmest composition on this album—filled with echoes of long-forgotten hymns that seem to fade away just as quickly.
This collection transcends mere festive gatherings or tree decorations; it serves as an ethereal guide through time itself—where fragments of ancient songs illuminate paths like Christingles during dark nights.
This Month’s Highlighted Releases
-
The innovative project by Anna Pidgorna, titled *Invented Folksongs* (Redshift), emerges from her travels back to Ukraine where she engaged with traditional music practitioners while infusing folk idioms into her avant-garde style. Tracks like “Drown in Depth” showcase raw energy while others such as “What Else Can I Give Him?” express profound yearning.
-
Dropping just ahead of Hanukkah celebrations is Michael Winograd‘s live album *Plays Tanz!* (Borscht Beat).This vibrant performance pays homage to Dave Tarras’ iconic klezmer record from1955 alongside Musiker brothers—a fusion marrying Ashkenazi Jewish instrumental traditions with jazz influences.
-
*Joy Unlimited* by IWinter Wonderband*, self-released by musicians Jennifer Crook, Maclaine Colston, Saul Rose, and Beth Porter offers delightful renditions including their take on “Shepherds Are The Cleverest Lads,” inspired by Watersons’ interpretations along with Boo Hewerdine’s New Year anthem.
