Since their breakout with the 2018 video “Abusey Junction,” the London-based jazz ensemble Kokoroko has gained recognition for their soothing style of improvised music. Their sound is characterized by gentle melodies, muted brass instruments, relaxed hand percussion, and hints of highlife guitar, creating a reflective and laid-back atmosphere.their debut album in 2022, May We Be More, continued this trend with its warm brass arrangements and delicately layered vocal harmonies.
Their latest release, “Tuff Times Never Final,” follows suit with its collection of eleven tracks were tempos rarely exceed a leisurely pace of 100 beats per minute, embracing deep bass lines and languid grooves throughout the album. The group maintains a reassuring tone that resonates through lullaby-like vocal harmonies in tracks such as “Never Lost,” alongside the mellow guitar work in ”Closer too Me,” complemented by Rhodes piano echoes on “My Father in Heaven.”
There are moments that hint at diversity within their sound; as a notable example, the latter half of “Sweetie” introduces intertwining horn solos from trumpeter Sheila Maurice-Grey and trombonist Anoushka Nanguy—brief bursts of energetic interplay before fading into quietude. Meanwhile, “Idea Five” shifts towards sultry R&B thanks to guest vocalist lulu’s contributions while “Da Du dah” channels sun-soaked vibes reminiscent of ’80s British funk.
While these elements add intriguing layers to their music, they do not fully detach from kokoroko’s signature tranquil soundscape. At times,”Tuff Times Never Final” may come across as overly soft or subdued; any distinct moments can be overshadowed by familiar dynamics within their compositions. This makes it an ideal listen for those seeking background ambiance but may lack the vibrant energy needed to captivate listeners fully.