Exploring BeethovenS Violin Sonatas: A Unique Collaboration

Viktoria Mullova has embarked on an exciting exploration of Beethoven’s violin sonatas, initially partnering with Kristian Bezuidenhout for the first performances. For the final three pieces,Alasdair Beatson has stepped in as the pianist. This series concludes with a captivating rendition of the second sonata from Opus 12 in A major, paired with the last sonata in G major. Each performance is enriched by period instruments; mullova plays a gut-strung Guadagnini violin from 1750 using a classical bow, while Beatson employs authentic keyboards tailored for each composition. Notably, he utilizes a replica of an 1805 Walter fortepiano—crafted just seven years after Opus 12 No. 2 was composed—for this more Mozartian piece and chooses a Graf fortepiano replica from 1819 for the more assertive writing found in Opus 96.

The Vibrant Energy of Performance

The performances resonate with an infectious sense of joy that captivates audiences throughout each piece.While there are moments when technical precision may overshadow emotional depth, this balance frequently enough enhances the overall experience of such artistry. Both Mullova on violin and Beatson on piano demonstrate unusual talent; every musical phrase appears carefully crafted yet maintains an element of spontaneity that keeps monotony at bay.