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Nash Ensemble: Ravel album review – catches the music’s dazzling light and bright coloration

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Celebrating ‍ravel: A tribute Through Chamber Music

The recent recording of Ravel’s works by the Nash Ensemble marks a poignant conclusion ​to Amelia Freedman’s remarkable six-decade tenure as artistic director. This release serves as a heartfelt tribute‌ to the community’s often-overlooked founder, who passed away in‌ July. The album features all three of Ravel’s‍ meaningful chamber compositions⁢ alongside ⁢his own two-piano arrangement⁣ of the orchestral​ masterpiece,la Valse. Pianists Alasdair Beatson‍ and Simon Crawford-Phillips deliver an exquisite performance, initially showcasing‌ a relaxed ​elegance before effortlessly‌ navigating through ‌intricate ⁢passages and extended glissandos, all while capturing the increasingly ‌intense character of ‌the music.

The artwork for ‌Ravel: Chamber Music.
The artwork ⁣for Ravel: Chamber Music. Photograph credit goes to Onyx.

The Intricacies of Introduction and Allegro

The piece “Introduction and Allegro,” composed⁤ in⁢ 1905 as part of a commission ​from a harp ​manufacturer,​ brilliantly showcases the ⁢instrument’s capabilities—masterfully ⁣executed by harpist ‍Lucy Wakeford.⁤ However, what stands ⁤out most is how seamlessly ⁤the seven instruments blend together while also creating distinct textures that evoke vivid imagery. This is particularly evident in ‍their dynamic⁤ performances of both the String​ Quartet—characterized by its lively energy—and especially in their compelling interpretation‌ of the Piano Trio. It is this meticulous⁢ attention to color dynamics that ‍elevates⁤ thes renditions;‌ each instrument harmonizes⁤ beautifully to reflect the ​vibrant‌ hues intrinsic to Ravel’s musical ⁢language.

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