What insights might an alien satellite share with us if it could overcome the limitations of time, space, and language? “Thirteen millennia in orbit around Earth has gone awry for debris,” reflects Wendy Eisenberg, whose distinctive and persistent voice transforms succinct lyrics into a post-human plea for connection. This compelling opening establishes the atmosphere for Editrix’s newest album—a daring and avant-garde creation from a trio deeply embedded in Massachusetts’ DIY music culture—exploring themes of unfulfilled interaction through their unique musical style.

Editrix draws inspiration from a diverse array of rock genres—including blues, jazz, punk, progressive rock, hardcore, indie, and metal—to forge a sound that is both articulate and thrillingly intense.The vibrant interaction between Steve Cameron’s bass lines and Josh Daniel’s drumming—shifting from deep thuds to nearly silent taps as if he were striking a plastic surface—illustrates the band’s exploration of unity versus disconnection; musical conversations arise only to be disrupted before veering off into unexpected territories.

the song “What’s Unfriendly” utilizes disconcerting polyrhythms to warn against imposing one’s aspirations onto others—whether it be a partner or an idol—as Eisenberg’s vocals intertwine with her electric guitar in pursuit of the same melodic line.”Help me understand what compels me to refuse,” she pleads on the impactful track titled “No,” which effectively encapsulates this feeling by playing with repetition before crashing headlong into an overwhelming wall of sound.

editrix skillfully transforms intricate music into something instinctive—it becomes as vital as breathing—and illustrates that sound can often convey what words fail to express adequately.
To put it simply: Editrix delivers hard-hitting rock.